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	<title>Comments on: Hard Edges</title>
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	<link>http://www.emvergeoning.com/?p=781</link>
	<description>America's Most Difficult Art Blog</description>
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		<title>By: :</title>
		<link>http://www.emvergeoning.com/?p=781&#038;cpage=1#comment-28866</link>
		<dc:creator>:</dc:creator>
		<pubDate>Sat, 14 Feb 2009 23:43:13 +0000</pubDate>
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		<description>::</description>
		<content:encoded><![CDATA[<p>::</p>
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	<item>
		<title>By: TLC</title>
		<link>http://www.emvergeoning.com/?p=781&#038;cpage=1#comment-3415</link>
		<dc:creator>TLC</dc:creator>
		<pubDate>Fri, 12 Oct 2007 23:52:13 +0000</pubDate>
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		<description>http://www.youtube.com/watch?v=s9cZc_JSRvY</description>
		<content:encoded><![CDATA[<p><a href="http://www.youtube.com/watch?v=s9cZc_JSRvY" rel="nofollow">http://www.youtube.com/watch?v=s9cZc_JSRvY</a></p>
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	<item>
		<title>By: hungry</title>
		<link>http://www.emvergeoning.com/?p=781&#038;cpage=1#comment-3406</link>
		<dc:creator>hungry</dc:creator>
		<pubDate>Fri, 12 Oct 2007 22:48:23 +0000</pubDate>
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		<description>http://www.dailymotion.com/video/x13og0_flamin-groovies-slow-death-1972-mar_music</description>
		<content:encoded><![CDATA[<p><a href="http://www.dailymotion.com/video/x13og0_flamin-groovies-slow-death-1972-mar_music" rel="nofollow">http://www.dailymotion.com/video/x13og0_flamin-groovies-slow-death-1972-mar_music</a></p>
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	<item>
		<title>By: hungry</title>
		<link>http://www.emvergeoning.com/?p=781&#038;cpage=1#comment-3405</link>
		<dc:creator>hungry</dc:creator>
		<pubDate>Fri, 12 Oct 2007 22:48:06 +0000</pubDate>
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		<description>http://www.dailymotion.com/video/x30e05_flamin-groovies-72_music</description>
		<content:encoded><![CDATA[<p><a href="http://www.dailymotion.com/video/x30e05_flamin-groovies-72_music" rel="nofollow">http://www.dailymotion.com/video/x30e05_flamin-groovies-72_music</a></p>
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	<item>
		<title>By: TLC</title>
		<link>http://www.emvergeoning.com/?p=781&#038;cpage=1#comment-3370</link>
		<dc:creator>TLC</dc:creator>
		<pubDate>Thu, 11 Oct 2007 02:23:21 +0000</pubDate>
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		<description>Welcome, youth, who come attended by immortal charioteers and mares which bear you on your journey to our dwelling. For it is no evil fate that has set you to travel on this road, far from the beaten paths of men, but right and justice. It is meet that you learn all things - both the unshakable heart of well-rounded truth and the opinions of mortals in which there is not true belief.

Parmenides</description>
		<content:encoded><![CDATA[<p>Welcome, youth, who come attended by immortal charioteers and mares which bear you on your journey to our dwelling. For it is no evil fate that has set you to travel on this road, far from the beaten paths of men, but right and justice. It is meet that you learn all things &#8211; both the unshakable heart of well-rounded truth and the opinions of mortals in which there is not true belief.</p>
<p>Parmenides</p>
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	</item>
	<item>
		<title>By: TLC</title>
		<link>http://www.emvergeoning.com/?p=781&#038;cpage=1#comment-3369</link>
		<dc:creator>TLC</dc:creator>
		<pubDate>Thu, 11 Oct 2007 01:56:00 +0000</pubDate>
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		<description>“he recreates a barrier that exists in physical form, as a series of concrete partitions separating Israelis and Palestinians, and as a separatist symbol, both triumphant and oppressive.  Mr. Alÿs takes no political position on this; he merely points it out.”

Holland Cotter</description>
		<content:encoded><![CDATA[<p>“he recreates a barrier that exists in physical form, as a series of concrete partitions separating Israelis and Palestinians, and as a separatist symbol, both triumphant and oppressive.  Mr. Alÿs takes no political position on this; he merely points it out.”</p>
<p>Holland Cotter</p>
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	<item>
		<title>By: TLC</title>
		<link>http://www.emvergeoning.com/?p=781&#038;cpage=1#comment-3368</link>
		<dc:creator>TLC</dc:creator>
		<pubDate>Thu, 11 Oct 2007 01:43:03 +0000</pubDate>
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		<description>I am more interested in the attempt of articulation than the actual enunciation. &quot;Art as Ready made&quot; sounds fine, but it&#039;s just not the way it happened to me.

Francis Alÿs</description>
		<content:encoded><![CDATA[<p>I am more interested in the attempt of articulation than the actual enunciation. &#8220;Art as Ready made&#8221; sounds fine, but it&#8217;s just not the way it happened to me.</p>
<p>Francis Alÿs</p>
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	</item>
	<item>
		<title>By: TLC</title>
		<link>http://www.emvergeoning.com/?p=781&#038;cpage=1#comment-3367</link>
		<dc:creator>TLC</dc:creator>
		<pubDate>Thu, 11 Oct 2007 01:40:40 +0000</pubDate>
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		<description>“a problem disappears when we take into account (when we ‘stage&#039;) its context of enunciation” (Žižek, 1991a: 145).</description>
		<content:encoded><![CDATA[<p>“a problem disappears when we take into account (when we ‘stage&#8217;) its context of enunciation” (Žižek, 1991a: 145).</p>
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	<item>
		<title>By: hungry</title>
		<link>http://www.emvergeoning.com/?p=781&#038;cpage=1#comment-3365</link>
		<dc:creator>hungry</dc:creator>
		<pubDate>Thu, 11 Oct 2007 00:38:23 +0000</pubDate>
		<guid isPermaLink="false">http://emvergeoning.com/?p=781#comment-3365</guid>
		<description>This paper begins by reviewing previous research concerning the external validity of mixed-motive games as models of international conflict, interpersonal behavior, and behavior in large-scale social dilemmas. Two further experiments are then described, both of which cast further doubt upon the usefulness of such games as models of any real-world reference system. The author cites the large number of publications existing in this area, and compares it to the small number of validation attempts, suggesting that such studies are worth carrying out only if a correspondence can be established between behavior in the game nad behavior in an external reference system. Because of the difficulty of establishing such a correspondence, the author suggests redirecting validation attempts away from individual analysis, to focus more on situational variables in games and real-world dilemmas.</description>
		<content:encoded><![CDATA[<p>This paper begins by reviewing previous research concerning the external validity of mixed-motive games as models of international conflict, interpersonal behavior, and behavior in large-scale social dilemmas. Two further experiments are then described, both of which cast further doubt upon the usefulness of such games as models of any real-world reference system. The author cites the large number of publications existing in this area, and compares it to the small number of validation attempts, suggesting that such studies are worth carrying out only if a correspondence can be established between behavior in the game nad behavior in an external reference system. Because of the difficulty of establishing such a correspondence, the author suggests redirecting validation attempts away from individual analysis, to focus more on situational variables in games and real-world dilemmas.</p>
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	</item>
	<item>
		<title>By: TLC</title>
		<link>http://www.emvergeoning.com/?p=781&#038;cpage=1#comment-3364</link>
		<dc:creator>TLC</dc:creator>
		<pubDate>Wed, 10 Oct 2007 20:21:21 +0000</pubDate>
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		<description>In his unpublished Seminar Angoisse (1962/63, lesson of December 5 1962), Lacan emphasizes the way the hysteric&#039;s anxiety relates to the fundamental lack in the Other which makes the Other inconsistent/barred: a hysteric perceives the lack in the Other, its impotence, inconsistency, fake, but he is not ready to sacrifice the part of himself that would complete the Other, fill in its lack - this refusal to sacrifice sustains the hysteric&#039;s eternal complaint that the Other will somehow manipulate and exploit him, use him, deprive him of his most precious possession... More precisely, this does not mean that the hysteric disavows his castration: the hysteric (neurotic) does not hold back from his castration (he is not a psychotic or a pervert, i.e. he fully accepts his castration); he merely does not want to &quot;functionalize&quot; it, to put it in the service of the Other, i.e. what he holds back from is &quot;making his castration into what the Other is lacking, that is to say, into something positive that is the guarantee of this function of the Other.&quot; (In contrast to the hysteric, the pervert readily assumes this role of sacrificing himself, i.e. of serving as the object-instrument that fills in the Other&#039;s lack - as Lacan puts it, the pervert &quot;offers himself loyally to the Other&#039;s jouissance&quot;.) The falsity of sacrifice resides in its underlying presupposition, which is that I effectively possess, hold in me, the precious ingredient coveted by the Other and promising to fill in its lack. On a closer view, of course, the hysteric&#039;s refusal appears in all its ambiguity: I refuse to sacrifice the agalma in me BECAUSE THERE IS NOTHING TO SACRIFICE, because I am unable to fill in your lack.

Slavoj Zizek: Death&#039;s Merciless Love</description>
		<content:encoded><![CDATA[<p>In his unpublished Seminar Angoisse (1962/63, lesson of December 5 1962), Lacan emphasizes the way the hysteric&#8217;s anxiety relates to the fundamental lack in the Other which makes the Other inconsistent/barred: a hysteric perceives the lack in the Other, its impotence, inconsistency, fake, but he is not ready to sacrifice the part of himself that would complete the Other, fill in its lack &#8211; this refusal to sacrifice sustains the hysteric&#8217;s eternal complaint that the Other will somehow manipulate and exploit him, use him, deprive him of his most precious possession&#8230; More precisely, this does not mean that the hysteric disavows his castration: the hysteric (neurotic) does not hold back from his castration (he is not a psychotic or a pervert, i.e. he fully accepts his castration); he merely does not want to &#8220;functionalize&#8221; it, to put it in the service of the Other, i.e. what he holds back from is &#8220;making his castration into what the Other is lacking, that is to say, into something positive that is the guarantee of this function of the Other.&#8221; (In contrast to the hysteric, the pervert readily assumes this role of sacrificing himself, i.e. of serving as the object-instrument that fills in the Other&#8217;s lack &#8211; as Lacan puts it, the pervert &#8220;offers himself loyally to the Other&#8217;s jouissance&#8221;.) The falsity of sacrifice resides in its underlying presupposition, which is that I effectively possess, hold in me, the precious ingredient coveted by the Other and promising to fill in its lack. On a closer view, of course, the hysteric&#8217;s refusal appears in all its ambiguity: I refuse to sacrifice the agalma in me BECAUSE THERE IS NOTHING TO SACRIFICE, because I am unable to fill in your lack.</p>
<p>Slavoj Zizek: Death&#8217;s Merciless Love</p>
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